Wat zullen we nu weer eens draaien......
Wat speelt er nu op Pieter's koptelefoontje........
Een Dagboek Van Een Muziekjunkie.
A music diary
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Funki Porcini
15-09-2024
Nice slices of cool jazz trip beats. Funki Porcini – Hed Phone Sex 3LP on Ninja Tune 1995
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Ecstatic Vision
14-09-2024
ECSTATIC VISION unleash UNDER THE INFLUENCE, a collection of six RAW, FUZZY, PSYCHEDELIC slabs of COSMIC ROCK. UNDER THE INFLUENCE sees the band covering tracks by some of their biggest influences; The stoner doom sounds that came out of ZAMBIA in the early/mid 70s that is known as ZAM ROCK, the godfathers of space-rock HAWKWIND, and the early kings of Detroit rock n' Roll THE MC5, all delivered with ECSTATIC VISION's signature bone crushing, blown-out in-all-the-right-ways recording style.. (from the Bandcamp release page)
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ECSTATIC VISION
14-09-2024
"For the Masses" blends Tripped-out Synth, Semi-Catatonic Desert driving tunes, Afro-tribal Funkadelic Vibes, Troglodyte-Detroit Rock grooves, Acid Freak-Outs, Ethereal Psychedelic Hymns, and Mind-Altering Kraut Rock into Ecstatic Vision's outsider take on modern music. It’s like if Tangerine Dream jammed with Lemmy and the Asheton Brothers and decided to play some World Music and Free Jazz in 1971. (from the Bandcamp release page)
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The Delgados
14-09-2024
Did I already expressed my Delgados love? Oh, ok........
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Super Djata Band
14-09-2024
The listed album is an alternative for the Zani Diabate & The Super Djata Band - S/T album from 1985/1988 (here's that album http://youtu.be/akW8fh-YMxs).
The Super Djata Band belongs in my book of the greatest African Bands of all-time on the same page as Bembeya Jazz National. And the page of that book is page number 1. Zani Diabaté (died 4th January 2011) was a musician, guitar player from Bamako, Mali. He became a member of the Ballet National in 1963 and founded the Super Djata Band in 1969 in Bamako, Mali. The Super Djata Band music was based on the traditional rhythms and melodies of the Hunters and Fishermen of the Bambara people of southern Mali. Zani Diabate injected this with his truly amazing explosive psychedelic guitar work and an unique sense of composition. Which resulted in a High Energy Electric Fusion band with complex driven rhythms. He never accuired the fame, here in our western world, as some contemporaries. Maybe because his rawer music didn't fit in the so-called "World Music" coffeebar scene, that got real big with smoother productions. His music was always bubbling a bit underground. But in recent years there was some sort of a minor revival of the Super Djata music thanks to some reissues on for example The Numero Group. The album listed here was first released on the "Milady Music" label in 1985 and got a more global release a few years later on the bigger "Mango" label. The album made some waves here in the Netherlands thanks to an explosive concert they gave, I think it was this concert in the Melkweg 1987 https://youtu.be/_oE9pudY4T4 it was also broadcated on dutch radio if my memory serves me well. Other folks we hear on this album that made some more great music later on, that I know of, are: On bass Abou Camara who became a major player in the Dutch African music scene in the nineties with for example the great Benkadi International band. Also from later Benkadi International fame and all around great singer is Idrissa Magassa. We hear him on vocal duties here together with the amazing Alou Fané (who's "Kamalan N'goni - Dozon N'goni" album on Dakar Sound from 1994 is also in the 1001 Other Albums List)
While writing this I played the album 3 times in a row. And it's still as great as since I heard it the first time in 1987. A real timeless masterpiece.
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14-09-2024
Maybe not the most clever choice of a band name career wise but who needs wise career decisions when you are as amazing as Alan Vega & Martin Rev.....and this is not even their best......go figure! Suicide – A Way Of Life 1988 cd reissue on Mute / BMG 2023 (35th Anniversary Edition The Original Album Remastered) Includes a great cover of Bruce Springsteen's 'Born In The USA', a song you wished for never hearing it again until you hear Suicide's version
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future of the left
13-09-2024
Yes, It's the band with the great album titles again
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METZ
13-09-2024
METZ is a noise rock band from Canada.
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Future Of The Left
13-09-2024
More good clean healthy fun from these masters.
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future of the left
13-09-2024
Great edgy "noise" rockband from that Mclusky dude also known as mister Christian Fitness.
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Mikal Cronin
12-09-2024 & 13-09-2024
Yeah tried it twice because I thought maybe not today. Some cool songs and not bad at all but in the end a bit to average for my taste. Nothing really surprised me after the first song.
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Acid Mothers Gong
09-09-2024
"Recorded in concert in Tokyo, April 2004, this features Daevid Allen and Gilli Smyth plus various Acid Mothers, with Tatsuya Yoshida drafted in on drums. Unfortunately, from what is documented here, the anticipated cosmic explosion never happens. Much time is spent establishing a head-friendly atmosphere, with zany Smurf voices and multiple chants backed by whooshing synths, but it all comes across as fragmentary, episodic and lacking any consistent dynamism. When the players do hit a purple patch, their combined force is impressive enough, as on the lumbering spacerock of “Ze Teapot Zat Exploded” and the drawn out, smoother sounding “The Isle Of Underwear”, but these moments are few and far between, and though a heady ambience is detectable you probably really had to be there to appreciate it.”(The Wire, Soundcheck Reviewed by Tom Ridge, November 2006 Issue 273)
I more or less agree.......ok but not great.
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Charlottefield
09-09-2024
Very nice surprise......Never heard of them til now. Recorded in 2007. Great noiserock would fit perfect in the NoiseAmp / Dischord stable. They used to be on Fat Cat Records so that explains a lot.
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Chris Haskett & Brandon Finley
09-09-2024
Chris Haskett (Rollins Band guitarist) / Brandon Finley (Dog Eat Dog drummer)– Non-Fiction cd on 2.13.61 Records (The label run by Henrietta Rollins. The numbers are Henry's birthdate) 1997 Cool prog fusion funk rock album.
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Rakel
09-09-2024
"Delusion Of The Fury (1966) is without a doubt Partch’s crowning achievement. Each of its two acts, which play without an intermission, is based on a folk tale – the first Japanese, a tragic 11th century noh drama entitled Atsumori, the second an Ethiopian tale called Justice, about a farcical misunderstanding. The “Exordium” an instrumental , overture, lures the audience into the web of dream and delusion, and is reprised when both acts have played and the drama is drawing to a close. An instrumental bridge between the two acts is provided by the “Sanctus” which serves as a postlude to Act 1 , (about a reconciliation between the living and the dead) and a prelude to Act 2 (about becoming reconciled to life’s little absurdities). In each of its two acts, Delusion Of The Fury shows the futility of anger. Once again, nearly all of Partch’s instruments are arrayed onstage, dramatic presences in their own right. The principal singers take on dual roles. Along with the singers and the actors/mime/dancers, the instrumentalists are costumed, and they engage in the stylised gestures of mime-ritual when not obliged to play (though even the act of playing is ritualised). Musical director on this production was Partch’s most trusted aide, Danlee Mitchell." (The Wire,December 2007 Issue 286, The Primer Harry Partch)
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Moondog
08-09-2024
“Moondog calls his saxophone project Sax Pax, underlining that in this case the saxophones are not to be linked with military bands for which the instruments originally had been intended, but are used exclusively for peaceful purposes.
All the pieces are part of a series which Moondog calls ZAJAZ, "jazz" in two directions, like a Janus-head with two faces. There is one looking backwards into the past, represented by classical techniques of composing and the other face turned towards the future which is characterized by a new kind of combining old and new elements of music.
Music which sounds like jazz, sometimes like real wild improvisations as in Present for the Prez., but is in fact classically conceived, written in the form of chaconne. Most of the pieces are written in canon form.
The core of the ensemble, founded by the leading British saxophonist John Harle, are members of the Apollo Saxophone Quartet. Also involved were David Lord as producer, and other big names of British music world, like Peter Hammill, Andrew Davis, and Danny Thompson, the former Pentangle co-founder, whose contra bass, named Victoria, is especially featured on "D For Danny" which Loius Hardin dedicated to his long-time friend.
The piano solos were played by Nicola Meecham, teacher at the Royal Academy Of Music.”
Edited and reprinted from liner notes.
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Moondog
08-09-2024
“The organ has not been called the "King of Instruments" for nothing, because of all instruments it has the widest range of possibilities lending itself to any mood or style. In suffering the organ to emit secular and even profane music, namely dance music, I do not find it out of place, since I am fully aware of the organ ́s pagan beginnings, the pipes of Pan. The organ is capable of producing a percussive quality, provided the notes are played staccato, and more importantly, if the "spitting" flute stop is used. This stop is also known as "chiff", having almost the jazz sound of saxophones playing staccato. Especially in a large room with good acoustics. I think an organ can do anything a jazz band can do as good, if not better. Moreover, when it comes to long, sustained contrapuntal lines, the organ is unapproachable. The organ sounds good with or without percussion. I added percussion to most of the pieces, which are in the dance idiom.” (Louis T. Hardin)
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08-09-2024
"Recorded two years later after Moondog 1, Moondog 2 is very different. It’s a realisation of Moondog’s The Art Of The Canon Book I, one of the printed collections of canons and rounds he’d been working on since the early 50s and selling from his Sixth Avenue post. The album was treated as a pop rather than a classical record by Columbia, and this was reflected not only in their promotion of it but also in the record itself. The instrumentation is stripped down and mostly of the electronic rock kind, albeit minus drum kit and with added virginal harpsichord (plus oo and trimba: one-two-three-FOUR-five). The record contains 26 short songs, most of them under two minutes. In Moondog 2’s sleevenotes, as elsewhere, Moondog emphasises that “rhythmically, I am considered to be in the present, even avant garde, while melodically and harmonically I am very much in the past”. And on the album he makes no attempt to hide his love of simple, tonal harmonies. But while, melodically, the tunes tend to be of the “Row, Row, Row Your Boat” kind, rhythmically (sung by many overdubbed voices, panned all over the stereo spectrum) they can get very complex indeed." (The Wire, Moondog Primer April 2015 Issue 374)
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Moondog
08-09-2024
"A good decade after he had last released an album, Moondog got what was clearly his big break. Producer James William Guercio, best known at the time for his successful work with the big band rock groups Chicago and Blood, Sweat And Tears, had met and held a casual conversation with the composer on his Sixth Avenue corner sometime in 1968. A year later Guercio returned to offer him a two record deal with Columbia. Between the late 50s and 60s, Moondog had made numerous appearances at concerts, poetry readings, anti-Vietnam War events and dance performances, in venues varying in size from town hall to small churches and the left-leaning freeform radio station WBAI. But with no new recorded output to mark his presence, his profile had been much lower than in the decade before. Now he seemed eager to both shed his longtime image as a street musician and show the world that he could compose serious symphonic music, his life’s real ambition. Moondog must have felt like a child set loose in the proverbial candy store. Assisted by a production staff that genuinely respected and support his vision, he made the most of the opportunity." (The Wire, Moondog Primer April 2015 Issue 374)
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Moondog & His Honking Geese
08-09-2024
Moondog And His Honking Geese Playing Moondog's Music Part 2
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Moondog And His Honking Geese
08-09-2024
Moondog And His Honking Geese Playing Moondog's Music Part 1
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Moondog
08-09-2024
Moondog – On The Streets Of New York 1953
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Moondog
08-09-2024
"Whether intentionally or not, these brief pieces mirror the life of an itinerant, urban street musician that Moondog was living at the time. His rhythms are, as usual, dense and highly complex – even, impressively, when there’s just a single line being played. Most are in the five- or seven-beat metres that Moondog was so fond of. One piece of great significance on More Moondog is “Moondog Monologue”, which features the composer reciting his aphorisms and couplets over a layer of syncopated percussion. Dwarfing all other tracks at a whopping eight and a half minutes, it provides the first picture that many people got of Moondog as proto-beat poet, an image certainly enhanced by his flamboyantly outsider lifestyle, while highlighting the great importance he placed on his prose and poetry writing. Among the highly quotable lines that originated here are: “I do not dress as I do to attract attention/I attract attention because I dress as I do”." (The Wire, Moondog Primer April 2015 Issue 374)
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Moondog
08-09-2024
"Half of Moondog’s 14 tracks are less than two minutes long, and few stretch beyond two minutes, giving the album the feel of a set of snapshots rather than a collection of fully fleshed out pieces. This adds to the record’s slices of life character, but the tunes’ brevity and apparent plainness could never be mistaken for superficiality. Moondog is a wideranging and strikingly original debut, all the more so considering that its creator was blind and, for the most part, living on the street." (The Wire, Moondog Primer April 2015 Issue 374)
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Sufjan Stevens, Bryce Dessner, Nico Muhly, James McAlister
08-09-2024
Sufjan Stevens • Nico Muhly • Bryce Dessner • James McAlister – Planetarium cd on 4AD 2017 Also love the little cd size art/lyrics booklet that comes with it.
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Mohammad-Reza Shajarian
08-09-2024
The listed album (Faryad) is an alternative for the Beautiful recordings of Persian Classical music by the Mighty Mohammad Reza Shadjarian & Ensemble Aref on the cd Iran: Dastgah Chahargah. Recorded live at Beethovenhalle, Bonn, October 17, 1987 by the WDR. Pure Persian Magic on Network Medien in the World Network series from 1991. Listen to the album here: http://youtu.be/_sLmXl7q-wQ
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Hamza Shakkur, Ensemble Al Kindi
07-09-2024
"Sheikh Hamza Chakour, born in Damascus in 1947, was a muqri (Koran reader) and a munshid (hymnodist). He was the disciple of Saïd Farhat and Tawfiq al-Munajjid; his task was to assure the continuity of the repertory proper to the Mawlawiya order. He was also the choir master of the Munshiddin of the Great Mosque in Damascus and served at official religious ceremonies in Syria, where he was immensely popular. Shaykh Hamza was an impressively large, charismatic figure. His bass voice with its richly rounded timbre has made him one of the foremost perfomers of Arab singing. His art is uncompromisingly sober and introverted, to the exclusion of all affectation. He developed his improvisations within the framework of a centuries- old modal art, where orison blends with dance, and prayer with art. The Islam he represented, far from being fundamentalist, is that of mysticism and happiness in the Faith. Sheikh Hamza Shakkour passed away on February 3rd, 2009" "The Al-Kindi Ensemble is a music ensemble founded in 1983 by the French kanun virtuoso Julien Jalâl Al-Din Weiss. The ensemble is based in Aleppo and in addition to Julien Jalâl Al-Din Weiss it includes Syrian محمد قدري دلال (Muhammed Qadri Dalal) on the Oud, Egyptian Adel Shams al-Din on percussion and Iraqi jouza player محمد حسين كمر (Mohamed Hussein Gomar al-Bawi)."
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Entrance
05-09-2024
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05-09-2024
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David Nance
02-09-2024
"Staunch Honey" was recorded entirely to tape by Nance himself at his Omaha, Nebraska home with the occasional assistance from his longtime live bandmates Jim Schroeder & Kevin Donohue. Great album!
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Modern Studies
02-09-2024
Folk Rock band from Scotland (Perthshire / Glasgow / Lancashire)
Not my cup of tea.....
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King Woman
01-09-2024
Hard to look at artwork but a very good album....
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Kinloch Nelson
01-09-2024
All quiet and peaceful on the Dutch front......a little night cap before we close down..... time for the last round....
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The Delgados
01-09-2024
I was a bit insecure. Should I? Would I? Am I overreacting? Am I too easily overexcited? But no, it is what it is .......The Delgados RULE! (or ruled)...and so did John!
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Ecstatic Vision
01-09-2024
....okay....Okay.....Okay!......It's FUCKING SATURDAYNIGHT AND YOU WANNA ROCK OUT WITH YOUR HEAD IN THE SPEAKERS AND YOUR BRAIN UPSIDEDOWN!!!!!!!!!! Well, Look no further and turn it up Brothers, Sisters & Everything Inbetween \m/
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Guy Blakeslee
31-08-2024
My introduction to the world of Guy Blakeslee (Entrance) was the exceptional album "Prayer Of Death" on Tee Pee Records. Because of the label and the album title I was expecting cool doom stonerrock. But the voice and the psychedelic sound world of Guy was something else. I kinda forgot about him till a week ago I stumbled on this very special album on Thrill Jockey (always a quality mark, I even think one of my all time favourite labels)
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The Other Years
31-08-2024
.......and then there are also albums that are love at first sight...... My god how good do you want it to be ...... Utter beauty.... "The Other Years are a duet born from a sister friendship, two friendly vines headed up the same tree. Their voices combine in many forms, embarking on a journey of song writing influenced by the old time tradition."
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The Scientists
31-08-2024
The listed album (The Real Stuff) is an alternative for the:
Set It On Fire! (Play The Scientists) Compilation cd on Dog Meat 1993
A great tribute album by some of the coolest bands (Cheater Slicks, Honeymoon Killers, Laughing Hyenas, Vertigo, Mudhoney, Monomen) that played when I was still young and stupid (now I'm just old and dumb) to one of the greatest rock bands that ever walked on this planet. Listen here:
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ARBOR LABOR UNION
31-08-2024
Sometimes I just don't know what to think or how I feel about an album........ very often those are the albums I return to more often to see/hear and figure out again. With this album it's the vocals that are giving me a hard time. But the band is a solid great rocking unit. It reminds me of the struggle I had with the Volcano Suns, a band I hold dearly nowadays......
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JOAN COLOMO
31-08-2024
Nice eclectic indie rock from Spain.......cool artwork and cool songs.
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The Beta Band
31-08-2024
Cool Scottish band formed in 1996 and disbanded 2004. This was their last one.....less weird than their debut but still lovely.
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The Triffids
29-08-2024
I was always put off by this record pretty quick.....But just bought it again for €2 and put it on while cutting the vegetables for tonight's soup. So, couldn't put it off right away. And after track 3 things get better and from track 7 and onwards it even gets very good.
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Jessica Moss
29-08-2024
Sometimes you take a cd from one of the piles next to you with stuff you never heard before and it perfectly fits the mood you're in and it takes you deeper into that feeling and becomes sort of a cleansing and gets you back on your feet again..........well this is that kind of a record......What I call a small miracle.
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Do Make Say Think
28-08-2024
"The second album by DMST captured the evolving and evocative sound of the band in all its newfound subtlety and sophistication. Recorded in an old wooden barn outside their hometown of Toronto, the album is swaddled in late-night, late-summer ambiance, maintaining an atmosphere of spontaneity and accident (along with the background sounds of chirping crickets) alongside the increased attention to composition in many of the pieces. While the record is bookended by the band’s inimitable psych-rock explosions and explorations, much of the material here is more reflective and experimental, with increased referencing of jazz influences (modal horn passages, chilled-out tempos) and a progressive command of studio techniques that yielded mixes abundant with sonic details and surprises. Electronics and effects are often deployed at micro-levels, placing strange static noises and bubbling textural flourishes in the soundstage which catch the corner of the eye/ear and encourage repeat listens (headphones strongly advised)." (Constellation release page)
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Hot Snakes
28-08-2024
Fantastic hardcore/noiserock band led by Rick Froberg (R.I.P.) and John Reis, formed in 1999 in San Diego, California.
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28-08-2024
SOL is a Danish dark ambient & doom metal band with strong neofolk influences and occasional avant-garde tendencies. Started in 2004 as a solo project by Emil Brahe, but each release or concert features a different cast of members and collaborators. "Through outtakes from various SOL recording sessions done between 2011 to 2021 interspersed with classical music samples from the start of the last century, the album is an exploration of nostalgia and the profound melancholia there is to be found within it. Produced by Emil Brahe in a 24-hour feverish stint of inspiration after seeing artist Marc Pilgaard's painting "Rapture""
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Abdel Benaddi
28-08-2024
“For me, music transcends mere entertainment,” explains Abdel. “It is a spiritual practice deeply intertwined with everyday life. Gnawa music, in particular, serves as a conduit to connect with my ancestors, fostering a sense of community and spiritual unity. It embodies the essence of freedom and reminds me of the path towards living a fulfilling life in harmony with the universe.”
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Ruven Nunez
28-08-2024
I think I found this thanks to the First Impressions newsletter by Andrew Kheidoori (Longform Editions curator) but wherever and whenever........this is a thing of extreme beauty.......
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Half Japanese
28-08-2024
For the mental health of a society everyone in it should at least own one Jad Fair record ....... But I guess that's wishful thinking and we are actually lost because of that......poor us.
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Dawn of Midi
28-08-2024
"With Dysnomia, the Brooklyn-based group Dawn of Midi abandons improvisation in favour of composition, utilising sophisticated rhythmic structures from North and West African folk traditions to weave a sonic tapestry of trance-inducing grooves. From close up one may see only dots, but when stepping back an undulating image reveals itself. “We didn’t want to create anything cerebral,” says Belyamani, “we wanted something visceral, something that would awaken our instinctive dance impulses.”
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SUGAI KEN
27-08-2024
"The mysterious scenery that Sugai Ken imagines from his home of Kanagawa, Japan takes unusual shape and form in the shadow of UkabazUmorezU’s moon. Sugai's reverence for traditional folklore becomes an intimate, liminal ceremony of interpretative music on UkabazUmorezU and an invitation for the open mind to wander a nighttime world wild with curious characters and strange, serene sounds."
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Wrekmeister Harmonies
27-08-2024
Gloomy music for these happy times. With mighty Thor Harris on percussion and clarinet.
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OLVIS
26-08-2024
"The first release of Orlygur Thor Orlygsson, a native islandic, the album is essentially the work of one man; all written, recorded and played by Orlygur, with drums and synth added by his guests."
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Cheap Trick
26-08-2024
Okay! Okay! Not every Cheap Trick fart smells good and with artwork like this what can you expect.....but...... you know..... It's the Cheap Trick Posse so I'm very tolerant......
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LL COOL J
26-08-2024
A "Greatest Hits" album from one of my first encounters with the world of HipHop thanks to a cool VPRO documentary from 1986 (http://youtu.be/-kSsqWNSQqs) .........Great compilation this with just a few dull tracks but that's what you can expect with a greatest hits album I suppose
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Phil Manzanera
26-08-2024
Not my cup of tea.....only liked track 8 "Big Dome" a bit
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Hanny
26-08-2024
Started real good but lost interest somewhere halfway the album
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Bardo Pond
25-08-2024
Let's Get Lost in the Bardo Pond
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Allysen Callery
25-08-2024
“Songbird continues in the ethereal tradition of Allysen’s previous records. With fingers dancing across acoustic strings and that voice, lovely and straight-out-of-Lothlorien otherworldly, Allysen stands out from the area’s predominantly roots and Americana styled folk scene. Tracks like “Bluest Bird” and “Snow Fox” harken back to traditional British folk, though “Shoot Me” has her putting a bluesy-twist on her ghost whisper vocals.” -Providence Monthly
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"Blue" Gene Tyranny
25-08-2024
a quote by ‘#BlueGeneTyranny’ on his approach to music:
“Music is my way of being in the world. It teaches subtle feelings, natural growth, social interaction, and more. Music is the art of time passing filled with motion, emotion, locomotion, love of sound, and much more in bits and pieces. Music takes care of two basic needs that last throughout a lifetime: the need to relate to others and the need for freedom.”
Recorded between 1963-2019, Degrees Of Freedom Found is a six CD set “Blue” Gene Tyranny hand selected from archival, live recordings, and brand new first recordings before his passing in 2020.
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Norfolk & Western
25-08-2024
Wonderful album and a perfect night closer......after this it's sleepy time
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Nyahh Records
25-08-2024
I don't throw parties anymore but if I ever do again remind me to put this album on heavy rotation!
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Snowboy
24-08-2024
Well he may be a Brit but Mister Snowboy sure kicks major Latin Ass..........All killers no fillers......hot steaming Latin Jazz!
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Kieran Hebden
24-08-2024
Young "to be" legend (Kieran a.k.a. Four Tet) meets The Late Great legendary drummer Steve Reid on a beautiful album
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Pavlov's Dog
24-08-2024
Great album from 1975 from this progressive rock band from St. Louis, Missouri
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Bong
24-08-2024
Track 3. In the Shadow of the Towers
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