Una Mas

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  1963

  James

  Dorham blends Afro-Cuban rhythm and post-bop sophistication with understated confidence. The title track’s repeating groove creates hypnotic momentum while leaving plenty of room for improvisational flexibility. Joe Henderson’s tenor work adds angular tension and melodic unpredictability throughout the album. Dorham’s trumpet tone remains warm and elegant even during more complex passages. The music feels relaxed without becoming passive. It’s one of Blue Note’s most quietly rewarding groove-oriented sessions.