The Rumproller

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  1965

  James

  The title track became a soul-jazz staple because of its irresistible groove and sharp rhythmic focus. Morgan balances accessibility and improvisational sophistication carefully throughout the album, never sacrificing one for the other. Joe Henderson’s tenor playing adds edge and momentum, while Ronnie Mathews’ piano keeps the arrangements moving fluidly. The record has a relaxed confidence that makes even complex passages feel effortless. It’s jazz designed to move physically as much as intellectually. The album helped push Blue Note further toward groove-oriented territory.