Favorite Albums of All Time

It recently occurred to me that this year marks my 50th year of buying and listening to albums. And more recently, Apple Music published a list of the so-called "100 Best Albums of All Time." This came not too long after Rolling Stone published a revamped edition of their own list. In both cases, they asked a panel of artists and industry experts of submit a ranked list of 50 albums. Rather than rail against what they did or didn't include, I've decided to come up with a list of my own. These are not necessarily what I believe to be the most groundbreaking, influential, or "important" albums; they are simply my favorites that I still enjoy to this day.

It was hard enough to narrow the list down to 50 albums, let alone rank them, so this list is in chronological order.

My criteria: No compilations or live albums. It has to be an album I enjoy listening to from start to finish, with minimal skips. Most of the albums on this list have zero skips, but there are a few where the best tracks are so outstanding that it makes the few skips forgivable.

I prefer an album that is meant to be enjoyed as a single work in one sitting. One that rewards attentive listening, rather than mere background or driving music. (Although the right driving music is always important, too!) I prefer an album with a sense of continuity, cohesion and flow; a "dramatic arc," if you will. The best albums during the vinyl era were paced so that the end of Side One felt like the end of the “first act,” with Side Two the start of the second act, and the album ending with a finale of sorts.

Unlike every music critic in the business, lyrics are secondary to me. (The list includes three albums sung in Portuguese, so I don't even know what they're saying!) For me, it's all about the melody, arrangement, production, and performance / groove / feel. Good lyrics are just a bonus. That said, I quoted a few sample lines from each album and ended up being surprised at how good most of them are.

I also need to be able to tolerate the singer's voice and singing style, so for both of those reasons, there are no critics' favorites like Bob Dylan, Tom Waits, Lou Reed/Velvet Underground, Joni Mitchell, or Leonard Cohen. (Rickie Lee Jones surprisingly made the list, though!)

There are many great artists missing from this list, including many of my favorites. They might have many great songs, but no individual album that meets the above criteria. (There are many great soul / R&B artists who fall into this camp for me.) I suppose someday I'll have to compile a list of my favorite songs, which I'm sure would be hard to narrow down to 1000!

Studies have shown that people tend to prefer the music from their youth, and I'm no exception. (It's just that back in my day, the music truly was better! Cue the eyerolls from everyone under a certain age!) My favorites markedly trail off starting in the 90s, partly because the music of the 90s for me was Raffi, Disney, Tom Chapin, and show tunes. I've tried keeping up with popular music since then, but what's popular has long veered away from what I like, which seems to be the universal pattern for everyone as they get older.

All in all, this was a fun exercise that I recommend to any fellow music nut who has ever questioned the choices of the notorious "Best of All Time" lists that seem to come out with increasing regularity. Feel free to comment (and/or fight me) on what I've included or excluded, or better yet, come up with your own list! Enjoy!

P.S. If you click on the album, this website gives you links to the play the album on the streaming service of your choice.

  1. (1964)

    "I've got a chip on my shoulder that's bigger than my feet

    I can't talk to people that I meet

    If I could see you now, I'd try to make you sad somehow

    But I can't, so I'll cry instead."

    My dad bought this when I was a little kid (the American version with muzak versions of a few of the songs). But it's not on this list for mere sentimental reasons; it's a great album with some of the tightest, most finely crafted pop/rock 'n roll songs ever.

  2. (1967)

    ”I’d love to turn you on…”

    This is when the Beatles showed the world how a record album could take you on a journey, with a coherent sequence of songs that was no mere collection of singles. While it’s not a concept album per se, it does call for listening from start to finish, from the murmured anticipation of the audience awaiting Sgt. Pepper’s band to take the stage, to the apocalyptic finale of “A Day in the Life.”

  3. (1968)

    "Blackbird singing in the dead of night

    Take these broken wings and learn to fly

    All your life, you were only waiting

    for this moment to arise."

    Being a double album, the Beatles had the freedom to stretch out, experiment, take risks, and have fun. Yes, some of the songs are skips (“Wild Honey Pie,” “Don’t Pass Me By,” “Revolution 9”), but that’s easily forgivable on an album with a generous THIRTY songs lasting 93 minutes.

  4. Crosby, Stills & Nash

    (1969)

    "Fear is the lock and laughter the key to your heart..."

    When we were teens, my sister had their So Far Best-Of album, which I had assumed was a compilation from several albums. Turns out the songs were taken from only TWO albums (this one and Deja Vu) and a single. And this album includes familiar classics that didn't even make that Best-Of compilation.

  5. The Who

    (1969)

    "Sickness will surely take the mind where minds can't usually go

    Come on the amazing journey and learn all you should know..."

    Forget that this was the first so-called "rock opera;" forget that it's been made into a movie and a successful Broadway musical. It's a great collection of songs that have stood the test of time!

  6. (1969)

    ”And in the end, the love you take is equal to the love you make.”

    As tensions were rising within the band, the Beatles reunited with George Martin and pulled it together for one last hurrah.

    Here’s just one example of how listening to a good album in its entirety can be more satisfying than listening to individual random songs:

    Everyone on the planet knows “Here Comes the Sun,” but its message and mood is even more uplifting when heard within the context of the entire album. The prior song, “I Want You (She’s So Heavy)” keeps ratcheting up its torturous distortion until there’s finally an abrupt cutoff that sounds like death itself. But then, coming out of the subsequent silence, we hear the reassuring opening strums of “Here Comes the Sun,” which in this context sounds like a resurrection, or a flower emerging from rubble.

    The rest of the album only gets better. The next song, "Because," has the most sublime harmonies they ever recorded. The rest of Side Two proceeds with a mishmash of partial songs and stitched-together musical ideas that still somehow manages to work. It’s as if they knew they would never get the chance to finish developing these songs together, so they just had to use up all the musical ideas they had on hand, whether they were complete or not. (Like when you’re going on vacation the next day and you scrounge together a dinner consisting of the random items remaining in your fridge in order to use them up!)

    It finally culminates with "The End" which features Ringo's drum solo, the other three trading off dueling guitar solos, the closing lyric quoted above, and that glorious ending note. It would have been such a satisfying closing to the album, but then comes the surprise 23-second "Her Majesty," as if to say, "Gotcha!"

    Tricksters to the end.

  7. (1970)

    ”And all the good you've done will soon get swept away

    You've begun to matter more than the things you say.”

    This album of my sister’s was the first rock album I ever listened to repeatedly (and yes, it's legitimate rock for its era, featuring Deep Purple's lead singer and Joe Cocker's band.) I listened to it so much as a kid that it became permanently etched in my brain, so when I hit the teen years I put it on hiatus. Then 40 years later I started to appreciate it all over again and found that it still holds up. I consider this the definitive version and don't even like watching the various staged versions.

  8. John Lennon

    (1970)

    “Keep you doped with religion, sex and TV

    And you think you're so clever and classless and free

    But you're still fucking peasants as far as I can see

    A working class hero is something to be.”

    John's "primal scream therapy" album. Sparse, bleak, depressing, and powerful. While none of these songs would have belonged on a Beatles album, I agree with the critical consensus that it’s Lennon’s best solo album, and tied with Band on the Run as the best solo Beatle album.

  9. (1971)

    "The pain of war cannot exceed

    The woe of aftermath

    The drums will shake the castle wall

    The ringwraiths ride in black..."

    This makes the list despite the fact that every track has been played incessantly on classic rock radio for the past 53 years. There’s a good reason for its massive popularity and staying power. Classic Rock at its best.

  10. (1972)

    "Femme fatales emerged from shadows to watch this creature fair

    Boys stood upon their chairs to make their point of view

    I smiled sadly for a love I could not obey

    Lady Stardust sang his songs of darkness and dismay..."

    There are Bowie snobs who will try to tell you that Bowie’s best album is “Hunky Dory” or “Low,” but they’re just being contrarian. Everyone knows this is his best! This is that rare album that picks up steam as it goes along: all of the rockers are on Side 2. The entire album is great, though - not a skip in the bunch!

  11. Stevie Wonder

    (1973)

    “Tell me, holy roller

    Are you standing like a soldier?

    Are you standing for everything you talk about?”

    This was the second album I ever bought with my own money. That beginner's luck spoiled me into thinking every album should be this good, with no skips! His pioneering use of synthesizers showed that electronics could be funky. No drum machines, either — it’s Stevie behind the drums, as well as ALL the instruments and backing vocals on several tracks. A staggering talent.

  12. Paul McCartney, Wings

    (1973)

    “So the next time you see rain it ain't bad

    Don't complain, it rains for you and me.”

    McCartney's charm, character, and whimsy shine through on his best solo album, arguably the best Beatles solo album, and definitely as good as a Beatles album!

  13. The Who

    "Why do I have to move with a crowd of kids that hardly notice I'm around?

    I work myself to death just to fit in..."

    A relentless rock 'n roll onslaught spanning two albums. When they were at the top of their game as they are here, the Who were one of the best rock BANDS around, with John Entwistle and Keith Moon among the best rock bassists and drummers ever. Not to mention Pete Townshend's guitars and his pioneering, painstaking synthesizer work.

  14. (1973)

    "Hey kids, shake it loose together

    The spotlight's hitting something that's been known to change the weather

    We'll kill the fatted calf tonight so stick around

    You're gonna hear electric music, solid walls of sound..."

    Elton at his peak. From the atmospheric wind and tolling bell of "Funeral For A Friend / Love Lies Bleeding" (on the short list of my all-time favorite songs) to the glorious closing chorus of "Harmony," this double album has many deep cuts that are far better than any of his latter-day singles.

  15. (1973)

    ”’Forward!’ he cried from the rear

    And the front rank died

    The general sat, and the lines on the map

    Moved from side to side…”

    There's a good reason this album spent a total of over 17.5 YEARS on the Billboard album chart (and not just because it's a trippy stoner album!) This is one of the earliest and best examples of the effective use of sound design on a music album, which contributes to it feeling like a mini movie. This album is to sound design in recorded music what 2001: A Space Odyssey was to special effects in movies. There are so many iconic sounds (the heartbeat, the clocks, the spacy journey of “On the Run,” the interview snippets, the cash register), but there are classic musical performances as well: the choir, the sax, Clare Tory’s incredible wordless vocal solo, and David Gilmour’s soaring guitar solos. A towering classic.

  16. (1974)

    ”Who are these men of lust, greed and glory?

    Rip off the masks and let's see

    But that's not right - oh no, what's the story?

    Look! There's you and there's me

    That can't be right...”

    I read somewhere that producer Ken Scott spent several weeks with the band painstakingly working out the intricate arrangements of the songs before they even started recording, and it shows. One of the best produced and arranged rock albums of all time.

  17. The Tubes

    (1975)

    "...Well, you can't have that, but, if you're an American citizen you are entitled to:

    A heated kidney shaped pool, a microwave oven, a Dyna-Gym (I'll personally demonstrate it in the privacy of your own home), a king-size Titanic unsinkable Molly Brown waterbed with polybendum, a foolproof plan and an airtight alibi, real simulated Indian jewelry! a Gucci shoetree!..."

    The Tubes are more remembered for their outrageous, over-the-top (and hilarious) live act, but this album stands on its own as an outrageous, over-the-top (and hilarious) rock debut.

  18. Bruce Springsteen

    (1975)

    "Running into the darkness, some hurt bad, some really dying

    At night sometimes it seemed you could hear the whole damn city crying..."

    Any real Springsteen fan will tell you that this is their favorite album of his (as opposed to Born in the USA!) This is the album that landed Bruce on the cover of Newsweek and Time the same week. Epic, dramatic, and rocking!

  19. (1976)

    "The face in the water looks up

    and she shakes her head as if to say

    that it's the last time you'll look like today."

    Genesis carried on just fine for a few albums after Peter Gabriel's departure, with Phil Collins rising to the occasion to take over lead vocals. Sad to think of how only five years later he would lead them down the road of pop rock schlock!

  20. Graham Parker & The Rumour, Graham Parker

    (1976)

    "Hey baby I ain't ashamed

    Of being turned down

    I hope you've got the same strength

    You're going to need it now."

    I won this album from my local rock radio station and have been a Graham Parker fan ever since. He was always a critics’ favorite but he never achieved the commercial success enjoyed by peers like Elvis Costello. This is a solid album of ten solid songs that continue to grow on me after all these years.

  21. (1976)

    "Without music, or an intriguing idea

    Color becomes pallor

    Man becomes carcass

    Home becomes catacomb..."

    The man who helped create the sound design for Pink Floyd's Dark Side of the Moon gives us the first album I'm aware of where the producer is the credited artist. Immaculately produced and recorded, this is a truly cinematic journey that demands attentive listening from start to finish.

  22. Stevie Wonder

    (1976)

    "Tryin' your best to bring the water to your eyes

    Thinking it might stop her from whoopin' your behind!"

    Stevie’s magnum opus. There’s so much more to this album than the overly-familiar hits — the deep cuts run deep indeed. He was so prolific during this timeframe that this double album even included a bonus 45 with four extra songs!

  23. Electric Light Orchestra, Electric Light Orchestra (ELO)

    (1976)

    "People walking hand-in-hand

    Everybody's singing to the band

    I wanna be where the stars shine bright

    And hear sweet music on a summer night..."

    Adherents of Punk, Grunge, and Metal would have you believe that rock music must be angry and aggressive to be any good. Who says it can’t be catchy, melodic, and FUN? Didn’t the Beatles teach you anything? Jeff Lynne is rock’s most underrated tunesmith, and this album is a joy from start to finish. Even in the “sad” closing song when he sings, “My Shangri-La has gone away, fading like The Beatles on ‘Hey Jude,’” you sense he’s singing it with a wink.

  24. Fleetwood Mac

    (1977)

    "Like a heartbeat drives you mad

    in the stillness of remembering what you had

    and what you lost..."

    What can be said about this album that hasn't already been said? Forget the behind-the-scenes soap opera that went on during its writing and recording, it's just a near-perfect collection of songs by three gifted songwriters who were each at the top of their game. Their output was so good at this point that they relegated Stevie Nick's "Silver Spring" to the B-side of "Go Your Own Way" when the album came out!

  25. Dan Fogelberg

    (1977)

    "Anthems to glory and anthems to love

    and hymns filled with early delight

    Like the songs that the darkness

    composes to worship the light..."

    It's a shame that Dan Fogelberg is best remembered for the string of hit singles from his inferior 1981 album The Innocent Age, and his schmaltzy hit "Longer." This album is one of the best singer-songwriter albums of the decade, but it’s been overlooked because it didn’t have any hit singles.

  26. Aja
    Steely Dan

    (1977)

    "They got a name for the winners in the world

    I want a name when I lose

    They call Alabama the Crimson Tide

    Call me Deacon Blues"

    With this album, Steely Dan made high fidelity recording a key element of the album, as significant as the actual songs, the production, vocals, and musicianship (all of which are top-notch). This album became the benchmark for audiophiles everywhere, and to this day is still often used to demo high-end audio equipment.

  27. Renaissance

    (1977)

    "Sold - said the man to the many

    Work for me, I'll only steal your time

    I will count my money out, there's no doubt

    I'll sell my soul..."

    Beautiful and majestic symphonic rock, capped by Annie Haslam’s five-octave classically trained voice. I’m convinced they could have found a larger audience if they had more exposure, but 9+minute songs don’t lend themselves to radio airplay.

  28. Todd Rundgren, Todd Rundgren Official

    (1978)

    "Fifty cents rent goes pretty far

    when you live in a subway car

    One stop's the same as another

    Even Son of Sam sees her sleeping

    She's not worth the bother..."

    As with most of his albums, Rundgren wrote the music and lyrics, sang all the vocal parts, and played all the instruments (with no drum machines!) His overdubbed vocal parts on “Can We Still Be Friends” are an astounding achievement that to this day has never been adequately recognized.

  29. Bruce Springsteen

    (1978)

    "Daddy worked his whole life for nothing but the pain

    Now he walks these empty rooms looking for something to blame

    But you inherit the sins, you inherit the flames..."

    When this album first came out, the music press was raving about it as if it were the Second Coming. Of course I resisted the hype, to the point of writing “B.S.” on the cassette I used to record it from the radio. After the hoopla died down I was finally able to reassess it objectively, and came around to appreciating it as a great album.

  30. (1978)

    "I'm down in the tube station at midnight

    I first felt a fist, and then a kick

    I could now smell their breath

    They smelt of pubs and Wormwood Scrubs

    And too many right wing meetings..."

    No, the Clash weren’t “the only band that mattered” in the punk/New Wave era. The Jam served up songs that were just as angry, just as British, and just as rocking as their more-successful peers.

  31. (1979)

    "Got a long black face; Who goes there?

    All the reefer madness put a poor kid in jail

    And it's just another night..."

    The man who sang "All The Young Dudes" and the original "Once Bitten Twice Shy" assembled a rock 'n roll dream band consisting of David Bowie's Spiders From Mars guitarist Mick Ronson, plus the E Street Band's drummer, bassist, and pianist. “Cleveland Rocks” became the theme of The Drew Carey Show and “Ships” was covered by Barry Manilow (!), but these aren’t even the best songs.

    They don't make rock 'n roll like this any more.

  32. Peter Gabriel

    (1980)

    “You can blow out a candle

    But you can't blow out a fire…”

    After leaving Genesis, Peter Gabriel showed that Progressive Rock could truly progress beyond the stale genre it had become by the late 70s. Always a trend setter vs. a follower, the sounds and effects on this album still sound cutting-edge to this day. This was the album to first use the booming “gated reverb” drum effect which would become the defining sound of the 80s, for better or worse (mostly worse!) But Gabriel’s innovation with technology and effects was always used as an enhancement, not as a crutch.

  33. Pretenders

    (1980)

    "I remember the way he groaned

    and moved with an animal skill

    I rubbed my face in the sweat that ran down his chest

    It was all very run of the mill..."

    This album put Chrissie Hynde on the all-too-short list of important women in rock. More accessible than Patti Smith, more punk/New Wave than Heart, more successful than Fanny or The Runaways, harder rocking than Blondie or the Go-Go’s, and more badass than Joan Jett!

  34. (1981)

    "The music there, it was hauntingly familiar

    When I see you doing what I try to do for me

    With the words of a poet and a voice from a choir

    And a melody, and nothin' else mattered..."

    There were high expectations for Stevie Nick’s first solo album, and she delivered. This is better than any of Fleetwood Mac’s post-Rumours albums, and better than her later solo albums after jumping on the “80s Sound” bandwagon.

  35. Rickie Lee Jones

    (1981)

    “When he pulled off the road

    Step in a waltz of red moon-beams

    Said he fit an APB, a robbery nearby

    And he go for his wallet and they thought he was going for a gun

    And the cops blew Bird away…”

    I think of this album as the last hurrah of the singer-songwriter genre which flourished in the 70s but was killed off in the early 80s by synth-pop and MTV. It's musically and emotionally dynamic, displaying a wide range of moods (often within the same song). The recording, production, engineering, and musicianship are Steely Dan caliber.

  36. (1982)

    “The rhythm is around me

    the rhythm has control

    the rhythm is inside me

    the rhythm has my soul..."

    This album is as moody, atmospheric, scary, suspenseful, and affecting as a movie. It's not something to simply have on in the background; you must experience it in a darkened room, preferably on a good stereo to fully appreciate the power of the tribal drums. I didn't like it at first, but once I listened to it "properly" it became one of my favorite albums of all time.

  37. (1984)

    ”He's loved in seven languages

    Diamond nights and ruby lights

    High in the sky

    Heaven help him when he falls…”

    This album was a breath of fresh air amidst the synth pop of the 80s, and it has aged better, too. Smooth, sultry, sophisticated-sounding music for grownups.

  38. Peter Gabriel

    (1986)

    "In your eyes

    The light, the heat, I am complete

    I see the doorway to a thousand churches

    The resolution of all the fruitless searches..."

    While best known for the hits "In Your Eyes," "Sledgehammer," "Big Time," and "Red Rain," the songs "That Voice Again" and "Mercy Street" are among his best as well.

  39. (1991)

    “You miss too much these days when you stop to think.”

    U2 could have followed up their 1988 monster hit The Joshua Tree with a sequel or a rehash, but instead they reinvented themselves and their sound, creating the sound of rock for a new decade. Well, until damn Grunge came along the same year. [Note the absence of any other 90s albums on this list!]

  40. (2002)

    "My hi-fi is waiting for a new tune

    My glass is waiting for some fresh ice cubes

    I'm just sitting here waiting for you

    To come on home and turn me on.”

    The perfect album for when you’re in a quiet mood, or need help getting to a quiet mood.

  41. Bruce Springsteen

    (2002)

    ”Lost track of how far I've gone

    How far I've gone, how high I've climbed

    On my back's a sixty pound stone

    On my shoulder, a half-mile line…”

    This was Bruce’s comeback and reunion with the E Street Band, after laying low for most of the 90s. As the story goes, shortly after 9/11 a driver spotted Bruce and called to him out the window, “We need you now.” Bruce answered the call with this 9/11-themed album. I will never forgive the Grammys for giving the Album of the Year award to Come Away With Me (as good as that album was) instead of this.

  42. Sara Tavares

    (2005)

    Sara Tavares is my favorite musical discovery of this century. She’s based in Portugal, but her ancestry is from the island nation of Cape Verde, and her music reflects that mixed heritage.

    The love and joy in her voice transcends any language barrier. Her upbeat songs will lift your soul, and her ballads will soothe it.

  43. Alice Smith, Alice Smith Music

    (2006)

    ”Bona fide is the old deal

    Fake is the new real.”

    It’s impossible to categorize this genre-hopping album, but the thing holding it all together is Smith's powerful and soulful voice. The arrangements are packed with quirky interludes and unexpected twists and turns. It's a shame her career never went anywhere after this impressive debut. It's probably because they didn't know how to market her, since she wouldn't fit in a box.

  44. Céu

    (2008)

    I discovered this album after hearing a track on the UnderCurrents radio program (www.undercurrentsradio.net) and then listening to the rest of the album on Spotify. The app’s "related artists" feature led me on a journey of discovery of other modern Latin artists, most notably Sara Tavares. This album has modern takes on genres such as samba, bossa nova, jazz, and reggae, combining traditional acoustic instrumentation and percussion with spacy state-of-the-art (for 2008) production and effects.

  45. Sara Tavares

    (2009) If there was one unknown artist I could recommend the most highly, it would be Sara Tavares. After discovering these two albums I wanted to hear more, but as late as 2017 I was disappointed that she hadn’t released any new music. It turns out that the reason for her lack of output was that she was battling a brain tumor, which she finally succumbed to last year. She has now joined the ranks of artists whose flame burned bright for much too short of a time. My hope is that perhaps now her music might be finally discovered by the English-speaking world.

  46. Amos Lee, AmosLee

    (2011)

    "Two tours served never once has he cried

    The same can't be said for his brand new bride

    Bills pile up with no hand to hold

    It takes a lot of lovin' comin' out of the cold."

    This is by far my favorite Singer-Songwriter album of this century. Even Sweet Baby James himself never made an album this consistently good from start to finish.

  47. 21
    Adele

    (2011)

    "When the thunder calls for me

    Next time, I'll be braver

    I'll be my own savior

    Standing on my own two feet..."

    The great songs just keep coming one after another. THIS is the Adele album that deserved its Album of the Year Grammy, not the one before or after!

  48. (2015)

    ”How does a bastard, orphan, son of a whore and a

    Scotsman, dropped in the middle of a forgotten

    spot in the Caribbean by providence,

    impoverished, in squalor,

    grow up to be a hero and a scholar?”

    Here's what I posted on Facebook after first listening to it in November 2015. I maintain that the cast album stands as classic on its own, without even needing to see the stage show.

    "Listened to the soundtrack to Hamilton from start to finish on our drive to Boston yesterday, all 2.5 hours of it. Believe the hype. Believe the superlatives. IT'S THAT GOOD...It's so dense, so ambitious, so audacious, but it WORKS. I've never liked rap, or even most hip-hop, but it all works. I was only able to follow a fraction of the story, the words, the references, etc. so it is definitely a work that requires repeated listenings to fully digest. I say 'listenings' because tickets to see the show will be unobtainable for years to come."

  49. Beyoncé

    (2016)

    "I break chains all by myself

    Won't let my freedom rot in hell

    Hey! I'ma keep running

    'Cause a winner don't quit on themselves!"

    Beyoncé took the awful experience of being cheated on, channeled that pain into art, and created a concept album that was the most acclaimed of her career. Talk about making lemonade out of lemons!

  50. Tears For Fears

    (2022)

    ”I've just one more song to sing

    One more story to tell…”

    Yes, this is the same duo that had all those hits in the mid-80s. This was their first album in 18 years, after having been in development for ten. But this is no exercise in mere nostalgia: it has ten solid songs, the production is state-of-the-art without being trendy or gimmicky, and their voices are still in fantastic shape. This is worth checking out whether you liked their 80s hits or not.

Favorite Albums of All Time is an album list curated by Stu.

Do you like albums?
Want to make a list?

Sign up for Album Whale

It’s free & easy &
the Whale is nice!
Learn more